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unit |
Hangin' with the Red Scarf Girl |
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overview |
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Hangin’ with the
Red Scarf Girl is an
end of unit exploration of the Cultural Revolution in China (1966-1976).
This is your opportunity to pull together
all that you have learned in Language Arts and World Cultures during the
past four weeks.
You should refer to the
Red Scarf Girl, your
class notes, various handouts, writing and poster assignments, and the
resources included below.
You are expected to use your best writing
and revising skills in order to turn in a high quality product.
By the way, as you know from our year
together, learning always goes better when you’re having fun.
Look for places to smile at the humor, cry
at the pathos, and play along with the premise.
The Mission: You have been assigned the job of a Cultural
Investigator. Explore the art forms, writings, memoirs and reflections,
historical facts, main characters, and the events of the Cultural
Revolution in China between 1966 and 1976. The goal of your explorations
is to create a dossier report on aspects of the Cultural Revolution, and
to bring all that you have learned together into a final piece which
answers how two cultural universals, literature and art, were used to
either build up or tear down cultural unity and stability. Complete the
following steps to earn your Cultural Investigator badge. Task 1.
Background of the Cultural Revolution: (WC
HW 4/27-29) Choose at least on article
about the Great Leap Forward and at least one article about the Cultural
Revolution, in addition to reading the required article
"Details on the Great Leap Forward and the
Cultural Revolution" hand-out
from class.
Using your chart, write a one
paragraph analysis of Chairman Mao’s leadership. Begin with a topic
sentence:
The
leadership of Chairman Mao during the Great Leap Forward and Cultural
Revolution was positive/negative (pick
only one)
because of its impact on the people of China.
Write several detailed sentences which
clearly support your position.
End your paragraph with a forcefully
worded, propaganda-like sentence supporting or attacking Mao.
Links: Great Leap Forward:
http://tinyurl.com/cvr7fb
http://www.mahalo.com/The_Great_Leap_Forward
Cultural Revolution:
http://tinyurl.com/c6q5ly
http://www.mahalo.com/The_Cultural_Revolution
http://tinyurl.com/cvr7fb
open the subheadings
Photos:
http://www.rwor.org/i/china/gprc1.htm and
http://tinyurl.com/dge5z5 Task 2.
Four Olds Poster Assignment: (in LA
class 4/20-21) In this assignment you will
demonstrate your understanding of what the 'Four Olds' were and how art
and language were combined by the Red Guards to advance the Great
Proletariat Cultural Revolution. Review the chapter on ‘Four Olds’
(pages 19-37) in
Red Scarf Girl
for ideas, and design a poster which
might have been used in the Red Guard attacks on the 'Four Olds'.
Your poster must: ---Be made out of
red
construction paper with black or white
letters ---Contain a
protest
slogan which could have been from the
Cultural Revolution days in China (Think about the Red Guards’ role in
protest and enforcement of the 'Four Olds' ) ---Contain a
quote from
Chairman Mao
Website with Mao quotes:
http://art-bin.com/art/omaotoc.html
Task 3. Cultural Revolution
Life Journal Entry: (in LA class 5/5-10) Now that you’ve read this
account of life during the Cultural Revolution, you will be writing a
journal entry about a particular incident recorded in
Red Scarf
Girl from another character’s
viewpoint. You will sign up for your preference of journal entries in
Language Arts class. Your one to two page entry should give details
about the particular incident and reactions of the character to the
event.
Remember that you are taking on
another person’s viewpoint and your job is try to write what you imagine
that person was seeing, experiencing and feeling before, during and
after the incident.
#1
Incident:
Writing Da-Zi-Bao (p. 38-43)
Characters: Yin Lan-lan, Zhang Jie #2
Protest at
Aunt Xi-wen’s house (p. 43-48)
Characters:Yin Lan-lan, Aunt Xi-wen #3
Reading the Da-Zi-Bao (p. 48-51)
Character: An Yi #4
Red Successor Nomination (p. 56-59)
Characters: Teacher Gu, Du Hai #5
Taking Grandma to Doctor (p. 89-94)
Characters: Ji-yong, Grandma #6
Stealing of Old Qian’s Bicycle (p.108-112)
Character: Old Qian #7
Burning of Family Pictures (p. 122-125)
Characters: Mom, Dad #8
Reading Fortunes (p. 152-155)
Character: An Yi #9
“May We Study at Home?” (p. 163-165)
Characters:Teacher Zhang,Bai Shan #10
Mom at the Office (p. 183-185)
Character: Mom #11
Police Station (p. 211-215)
Character: Officer Ma #12
Interrogation (p. 223-227)
Character: Thin-Face #13
The Rice Field (p. 233-237)
Character: Bai Shan #14
The Raid for the Letter (p. 247-249)
Character: Mom #15
Grandmother Sweeping (p. 260-263)
Character: Grandma
Task 4.
The Chairman Smiles:
Analyzing Poster Art of the Cultural
Revolution: (in WC class 5/3-10) Poster art is a means of communicating ideas about
culture and society. The Chinese posters from the following website once
traveled the world as a cultural showpiece and were very influential.
Today, they are valuable collector’s items.
Examples of Cultural Revolution poster art:
http://www.iisg.nl/exhibitions/chairman/chnintro2.php
Other information about poster art of the Cultural
Revolution:
http://kaladarshan.arts.ohio-state.edu/exhib/poster/PictPow1.html Background
info:
http://home.wmin.ac.uk/china_posters/contexts.html
Your teacher will give a PowerPoint preview lesson in
class. Take notes during the presentation. Then,
read the
introduction to the Cultural Revolution
poster site.
Then, click on posters #21, #26, #40, #45,
#53. Think about what you see in each of these posters.
Make sure to
read the
accompanying explanation of each poster.
Complete a notes page (like the one shown below) for each poster that
you examine. Now, spend some time browsing other posters which interest
you.
Think about how the subject matter, color and
style of each poster were carefully used to communicate a message. For
help, you can look back at your class notes from the lessons that used
paintings and posters to compare and contrast various aspects of
dynastic and communist China. Again, create a note sheet for each poster
that you examine. Next, you will work with a small group from your
class to develop a PowerPoint presentation which uses two posters from
the on line exhibit to analyze their images and message based on the
following two areas:
Your group will develop a
script to accompany your PowerPoint presentation.
Your teacher will provide you with a
MindMap planner to organize your script. Finally, you and your group will record your script
as narration on your PowerPoint before turning it in.
The
Chairman Smiles: Poster # and
Title: _______________________________
Task 5. Vocabulary Tic Tac Toe Choose
three
activities in any tic-tac-toe design:
horizontally, vertically, or diagonally.
The vocabulary words and the definitions
can be found in the glossary of Red Scarf
Girl on pages 273-285.
Task 6. Socratic Seminar Chairman Mao once said, [Our
purpose is] ‘to ensure that literature
and art fit well into the whole revolutionary machine as a component
part, that they operate as powerful weapons for uniting and educating
the people and for attacking and destroying the enemy, and that they
help fight the enemy with one heart and one mind.’ Considering all that you have
learned in this Language Arts/World Cultures unit,
how did literature and art both unite and divide
the hearts and minds of China’s people during the Cultural Revolution?
Your task is to respond to Chairman Mao’s idea in
a Socratic Seminar. You will be assigned a group which will either
discuss how literature and art united or divided the hearts and minds of
China’s people. Preparation for the Socratic Seminar will be important,
and you should be prepared to
clearly
and
concisely share
the information you have gleaned during your preparation with the group.
Remember Socratic Seminars are conversations, so you should listen
intently and thoughtfully question your peers.
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